To find a musical soulmate, someone with whom to explore your innermost feelings, unite artistic languages, and craft a shared voice is a daunting, even mysterious, undertaking. Some writers spend years searching and never uncover the other half they seek; for others, a partnership just flicks on like a light. The origin story of the hauntingly beautiful duo The Western Den is wonderfully curious in just this way: Deni Hlavinka, an introspective pianist from small town Virginia, posted a song idea on a college forum for accepted students. Chris West, a bright-eyed guitarist from Bermuda, sent back the song the following day in finished form. Upon meeting in person, they discovered their musical—and personal—bond was eerily close; there was never a discussion of forming a band, never a conscious choice, it just happened, fueled by a sheer desire, a necessity to pursue what felt right.
The act of reaching out in search of a common creative haven—that same force which brought Hlavinka and West together seven years ago—is a theme of ‘A Light Left On’, their forthcoming debut record. A careful labor of love, it emerged over the course of two years as a set of demos, which the pair then tracked meticulously over a six-month span. This restraint stands in stark contrast to their previous releases, two EPs which they hurried to release with the same speed and enthusiasm of Hlavinka and West’s initial long-distance collaboration. The result of their patience this time around is an ornate emotional garden, lovingly cultivated and ready for company. In their songwriting, arrangements, and production choices, the band leaves behind the folk label, which always felt like a safe descriptor yet never quite like home, pushing out into orchestral, ethereal, and chordally complex territory, while preserving their sweeping vocal harmonies, at once lush and modest, unmistakably the foundation of their partnership.
‘A Light Left On’ details a coming-of-age search—for purpose, for an environment that feels authentic. From its inceptive command to “raise it up, give a name / call it close, temporary though all the same”, the album announces its creators’ desire to define themselves within a turbulent landscape of thoughts, to have a light left on somewhere that feels permanent. Absent of that flag-planting resolution, the record offers up the belief that a light is still out there—‘I’m still holding on, still, still I’m holding on’—as if spoken to themselves as a mantra, on repeat, to reassure and encourage.
The Western Den showcases a mature pursuit of beauty that is all their own, and yet they capture the emotional soul-searching that exists in all of us, whether we hide it from the world or share it. In Hlavinka and West’s case, they have chosen to share it, extending their trust in each other to their audience.
Izzy Heltai is an indie-folk singer-songwriter who puts a unique twist on traditional story-telling. Based out of Northampton, Massachusetts, Izzy’s songs reference specific images while simultaneously addressing broader universal truths, often inspired by the natural beauty of Western, Massachusetts.
"A voice that is equal parts gruff, sandpapered scratches, unfiltered and open just enough to let the story out and smooth,” says redline roots, Izzy’s songs are unmistakably his own, with a strong emphasis on the nuanced dynamics of his voice. With complex melodies and playful wordplay, Izzy’s work sounds unlike anything you’ve heard before but is still guaranteed to get stuck in your head.
As a solo artist who spends the majority of his time on the road, Izzy’s songs often reflect the joys of a semi-nomadic lifestyle – dealing with topics of impermanence, loneliness, love and its many manifestations, and what it means to find “home” outside of a permanent residence.
At 22-years-old, Izzy has already garnered a local loyal following in the New England Area. His debut EP “Sweet Apathy” was accompanied by a sold-out release show at the Historic Club Passim in Cambridge, MA, in January 2018, and Izzy continues to play other esteemed venues in the area, including Mass Moca, The Dreamaway Lodge and the Parlor room. He was also a recipient of a 2019 Club Passim Iguana Fund Grant for his forthcoming record.
In the summer of 2018, Izzy was named a finalist in Kerrville Folk Festival’s New Folk Songwriting competition in Kerrville, TX, and in 2017 was included in Falcon Ridge Folk Festival’s Grassy Hill Emerging Artist Showcase in Hillsdale, NY. He has performed at both regionally and nationally acclaimed festivals such as Ossipee Valley Music Festival in Cornish, ME and Freshgrass Bluegrass Festival at Mass MoCa in North Adams, MA, three years in a row.