“A man and his beat-up, nylon stringed guitar brought tears to the eyes. He’s stellar.” – Bob Boilen, NPR All Songs Considered
“A one-man musical outfit that recalls the intensity of The Tallest Man on Earth and labelmate Glen Hansard.” – Village Voice
“Christopher Paul Stelling arrived on the scene in 2013 with a distinctive sound already formed on his debut record Songs of Praise and Scorn. Over the course of four albums, he has continued to refine that sound to his growing vision of our complex world. With Itinerant Arias, he takes a bold and successful step forward as a bandleader and master chronicler of our times.” – Popmatters
There is a fearless quality to the music of Christopher Paul Stelling. A voice that sounds both old and young, an effortless yet intricate finger-picking guitar style and lyrics that are both dramatic, and intensely confessional. It’s a sound that channels the restless spirit of a young man who left home to travel the country, haunting and impassioned songs formed by endless nights alone on stage with a guitar, playing to packed houses, other times to nearly empty rooms. Stelling estimates that he’s played over four hundred shows in just the past three years. It places him within a longstanding tradition that serves to nurture ones character and art.
“It takes a lot of work to stay on the road,” he says. “You learn to rely on your songs as a sort of resting place amidst all of the unfamiliarity. You fill your head full of places, and sounds, and ideas — and it all comes spilling out. When the things around you change constantly, you change too. And the things that stay the same become who you are. It’s nurtured my songwriting, knowing that the inspiration is all around you. If you aren’t seeing it, then look harder, and if you still don’t see it, then turn the corner, and if you still don’t see it then look at things differently, because it’s right there in front of you.”
After self-releasing his debut album Songs of Praise and Scorn in February 2012 and his second, False Cities, in May 2013, CPS has toured the US and Europe relentlessly, averaging over 150 live performances per year. Singing his songs with a pure uninhibited delivery, Stelling has become known for the intensity and passion put into his live performances. Owing as much to the bards and troubadours of times long since past as to his contemporaries, Stelling’s ever developing commitment to his craft is obvious.
His ANTI Records debut, 2015’s Labor Against Waste received near unanimous praise and excellent reviews. Upon release of the record, he played nearly 40 European dates and then embarked on a mammoth 200+ date North American tour (which kicked off with a performance [and marriage proposal on stage!] at Newport Folk Fest) that took him to nearly every state in the lower 48, lasted close to 18 months, and included an extended tour opening for Ben Harper and the Innocent Criminals. CPS’s second ANTI record, Itinerant Arias, made it’s appearance on May 5th, 2017. The album found the finger picking virtuoso backed by a cadre of friends and musicians, lending a rollicking energy to a record inspired by traveling through and observing an undeniably tumultuous world.
2018 finds him in his comfort zone – writing new material and touring the world. Catch him when he’s in your area. You’ll be glad you did.
Singer-songwriter Buckley is putting the final touches on his forthcoming album, “Las Cruces.” It’s a fitting title for a man at continual crossroads. Inspired by the boundless sky hanging over the desert on his nighttime drives during a recent tour in the southwest, his sonic brush is a bit heavier and the mood a little darker this go-around.
After fronting the critically acclaimed alt-country band the Gilded Splinters, Buckley moved from Boston to Austin in 2011. Ranging from rough to raw to rueful, Buckley’s sound caught ears and landed him residencies at the White Horse, Blackheart, Hotel Vegas, and Hole in the Wall, gigs at Nashville’s famed Bluebird Cafe, and airplay from KUT to the UK.
Now at the crossroads again, with 5 years in Austin behind him, and a little of that black-star twilight in his pocket, Buckley is making his way west...
“This Boston transplant’s sophomore effort hearkens influences like Ryan Adams (“April Fool”), and infers an appreciation for Gram Parsons (“Angel From Liberty”). It’s
country rock with an ache, one that doesn’t fade, yet never proves debilitating.”
> Austin Chronicle
“Buckley gives the occasional Mick Jagger growl during his musings over tortured women and grief-stricken lives to give the songs their strongest feelings of authenticity.”
> Boston Globe
“If Buckley’s last release was a rock record with a Neil Young and Crazy Horse vibe, this collection veers more towards Gram Parsons and Doug Sahm.”
“Raw, passionate ... at their best the Gilded Splinters remind you of everything from the Jayhawks’ ‘Bunkhouse’ period, to the Rolling Stones.”
> Steve Morse, Rock Critic